Creation Expulsion Redemption, BYU-Idaho, Jacob Spori Gallery, Jan 15- Feb 26, 2020. Zion Arts Society Podcast
Mixed media, 96”x28”x24”.
This piece symbolizes the coat of skins made for Adam and Eve before being expelled into the dark and dreary world. Depictions often show them in something like deerskin tunics. However, if an animal was to be sacrificed to physically and spiritually protect Adam and Eve, the Type and Shadow would be a male sheep without blemish. A single robe is hung on a harness. Often a symbol of labor and sin but also a token of who and what we attach ourselves to and labor toward. The totem and harness become a cruciform and the fleece a representation of the Lamb of God.
Limestone, Travertine, Pine, Olivewood, Wheat, Grapes and Olives.
This work suggests a simple meal gathered from food immediately available following the expulsion. They are foods both physically sustaining and spiritually symbolic: wheat, grapes and olives. Wheat becomes bread then represents body, Grapes become wine then represents blood, Olives become oil and represents spirit. Standing as both a dining table and an altar, it addresses both the physical and spiritual sustenance we require in a fallen world.
Mixed media, 78”x38x36”.
Abel as a Shepherd sacrificed first-lings of the flock. Cain as a farmer sacrificed the first fruits of the season. It is at the altar in which their motivations for obedience are revealed. One sacrifice is accepted, another rejected. An alter with representations of each: Cain as a scythe and Abel as a staff with a ram’s horn.
Mixed media, 32”x84”x24”.
Dirt and variations on the idea of dust have been gathered in which to create the form of Adam. The red sand of southern Utah, the brown loam of my parent’s garden, along with sawdust from a variety of projects and wood types over the years are among the types of dust gathered. Elevated from the common ground, 6 ingredients in each creative period are found in small vials as the Master Gardener prepares to supplement the soil for the garden’s new tenant. An empty mortar and pestle symbolize a day of rest.
Mixed media, 160”x42”x42”.
As one learns, a certain point of view is perceived. Continuing and enlarging upon knowledge gives one a differing perspective often accompanied with a paradigm shift and altered point-of-view. Using the objects of a child’s wooden desk and constructed ladder allude to the expanded understanding I seek both intellectually and spiritually. I am learning to ‘be nice’ and ‘share’ in a different way as an adult than I did as a child.
Oak, Sinew, Tea, 18”x102”x24”.
Eve was created from a rib. So too are large ships and small boats formed by ribs and are often given a female persona. Each a vessel carrying precious cargo leaving a wake, one in the water to diminish and the other a genealogy. This work was initiated using shadow drawings of my wife with her hands over her head, as if gliding through the water. They became the patterns to make this piece. It is essentially Eve, to my Adam, the mother of my children.
Little Cottonwood Canyon Granite, Wood, Gold leaf, 24”x54”x22”.
An interpretation of the marriage altar and covenant Adam & Eve made with each other and God. A circle within a square is a common motif of Heaven & Earth, Male & Female, Spirit & Body. This motif has been modified to represent clasped hands in gold leaf.
Mixed media, 160”x42”x42”.
Covenants and connections throughout the generations are made in the Temples of the Lord and must be done on earth in the flesh or by proxy. The title is a specific reference to words used only by an angel named Moroni while visiting the young Joseph Smith regarding to the coming of Elijah.
Mixed media, 40”x24”x24”.
Symbolic of an infant in a crib, a small bundle of seed lays in a grain bin. It's an indication of the all the children of Eve. In her choice to have seed, her conception is multiplied along with her sorrows. This work prefigures a singular child laid in a feed trough that will remove the sin and sorrows from all of Eve’s seed.
Mixed media, 78”x48”x20”.
This work is a division of two spaces, the public temporal and the private spiritual. Spiritual commitments drive and make sacred common daily efforts which catalyzes faith into works with hope of the promised harvest.
Mixed media, 6”x12”x12”.
Symbolic labor and service as gloves make an offering.
Mixed media. 15”x12”x12”
This work is an interpretation of The Fall and the Redemption. Each element is gold leafed. The fruit is cast in both sweet and bitter chocolate revealed by the bites and the cup is empty down to the dregs
Mixed media, 18”x12”x12”.
The forbidden fruit was neither good nor evil, but the knowledge of it. It is an awareness, a consciousness of and the ability to understand the difference, and thus, to choose for one's self. The fruit is presented as a gift, both tempting and beguiling.
Wood construction, 74”x22”x34”.
In a kneeling posture a 10’ ladder has lowered itself. An object often associated with up has humbly come down. Thoughts ascend heaven-ward when on knees in supplication. The ladders exterior is scarred, battered and beaten; however, its inside is cleaner and the damaged is fading.
Mixed media, 12”x30”x50”.
Acting as both altar and headstone, one can ponder the physical cost, and spiritual gifts, offered by Christ. Token-making objects represent the physical price paid and a symbol of truth wrapped in fleece are depicted.
Mixed media, 126”x20”x18”.
If one’s light shines, their basket can be filled to bless the lives of others as well as their own.
Mixed Media, 58”x28”x15”.
Anvil as altar depicts the real ‘blood sweat and tears’ kind of work that forges a covenant couple together. Milk and Honey in a healer’s apothecary jars represents the true healing, rest and reward awaiting.
Hydrocal, Metal leaf. Various 4” medallions
Each Medallion is a direct casting of a navel. It is a scar, a reminder of where we came from physically. As a direct casting it reflects an internal view . As long as women give birth to daughters there will be a physical connection throughout the generations. A distinctly matriarchal order. These medallions are hung at the height of the person from which the cast comes.
Mixed media, 124”x56”x72”.
Eve's decision to partake of the fruit reveals a thoughtfulness and insight from a distinctly feminine point of view. She saw great purpose and cause in having seed. Using a telescope, she observes the Heavens which becomes the pattern from which she builds her earthly home.
Oak, 144”x36”x36”.
A 16’ tall ladder with a full twist is a representation of an easily identified double-helix commonly associated with DNA. Merging with the Old Testament tale of Jacob’s ladder, it becomes an indication of covenant in a patriarchal order. The 12 rungs depict the future tribes. A handrail provides stability, balance and guidance.
Mixed media, 84”x42”x56”.
Adam had to earn his bread by the sweat of his face. He had to come to know the newly fallen earth and learn how to toil, plant, nurture and harvest for both the short and long-term. It required both physical labor and faithful vision. Behind the transit stands a step ladder from which to gain a higher view of the lands which he is breaking and sowing. While behind him scattered seed of various sorts become an organized furrow.
Coal, Onxy, Brass, 9”x11”x10”.
Def: A quality or ability possessed, inherited or bequeathed, upon which to build towards a greater perceived potential.
Coal is passive and dirty but in the form of a heart, light and dark metaphors emerge. Each are a buried source of power that generates heat and energy. Each are common until altered. Yet to be determined is the final product: ash or gem.
Mixed media.
A scale, a plumb-bob and a mason’s ruler represent one’s progress along a straight and narrow path. A small brass tag and the means to measure in different way indicates that only One truly knows us.
Inspired by the hilarious and profound quote ‘I may not always walk the straight and narrow, but I sure in hell try to cross it as often as I can’. J. Golden Kimball
Mixed media, 96”x6”x16”.
The ability to tap into the powers of heaven can result in abundant harvests.
Mixed media. Dimensions vary.
Keys provide access and extension cords expand our reach. Mixing the objects and metaphors makes doorknobs with outlets and plugs with keys. Masculine and feminine versions are intertwined..
Mixed media, Dimensions vary.
A braided rope ladder, simulating pigtails, rolls off the shoulders of someone who’s been a little further up the mountain. It seems a rather intimate and trusting thing for a woman to to braid another woman’s hair. This moment provides the perfect opportunity for grandmothers, mothers, sisters and friends to give encouragement, guidance and support.
Mixed media. 110”x22”x22”.
This totem represents the Angelic protector and keeper of the Tree of Life. I Image additional duties might include keeping Adam and Eve from Eden, thus cutting them off from the presence of the Lord.
Maiden Voyage
From Dust
All Eternity
Faith of our Fathers
Clean and Pure
First Supper
Lay of he Land
Planting the Promises
Rising Above
Higher Education
Multiplied Conception
A Protection
Planting the Promises
Higher Educaiton
Maiden Voyage
From Dust
Clean and Pure
Giver
Light so Shine
For Service Rendered
Daughters of Eve
Blood Brothers
Multiplied Conception
For Service Rendered
Blood Brothers
Multiplied Conception
Celestial Navigation
Dreamer’s Dream
All Eternity
Lay of the Land
Planting the Promises
Higher Education
The story of Adam and Eve implies that something bigger is going on behind the scenes that we don’t quite get... We learn this tale in simple form as a child. When reviewed as a youth, principles and imagery leads to differing opinions and ideas surrounding meaning. As adults interpretations and traditions pretend to give answers but somehow still muddies the water. So what is it about this story that we don’t comprehend? It has survived through ages and is still misunderstood. This exhibition is an exploration of some of the simple aspects of this epic tale that seems to have depth we cannot fathom. It suggests that their story is also our story.
Adam and Eve’s account shares who they are individually and what they become as a couple. Musings on their life and the lessons learned from it have intrigued me for a long time. In its simplest form, this story reveals the true price of hopes and dreams, purpose in conflict and tragedy, and the potential for education and growth. These are among the lessons we also learn in our own life journeys—deep truths, learned through experience—that are much more than merely symbolic or metaphorical. Archetypal stories such as Adam and Eve set a standard of excellence, often with warnings and foreshadowing. Through them, we encounter temptation, success, failure, faithfulness, betrayal, tragic heartbreak and soaring joy. Despite the hardships and difficulties, we aspire to overcome and achieve as Adam and Eve did. Surely this story is one of the great archetypes.
In developing this exhibition I utilized 4 works that were completed in my graduate studies at The University of Texas at Austin 18 years ago. 5 others had been completed during the previous 5 years and shown in other venues. However, 18 pieces were completed specifically for this show. My head has been spinning for months and I am pleased to offer to you the musings, inspirations, wanderings and reflections of Creation Expulsion and Redemption.
Adam D. Thomas Jan. 15, 2020